> Gonna ask something insane about a narratively light racing game score from a then green composer, but is there anything in the way of a thematic narrative from Carbon? I’ve specifically been looking into Morris (first Iron Fist, then Dragon Age Inquisition, next Olympus Has Fallen) to find his strongest works, and I’d be lying if I said that the thematic base didn’t make a huge difference for me.

I didn't really notice one. Each track seemed to largely be self-contained. But I did only give it one listen a few weeks ago.