> Ditto, except that I didn't really want to hear this one. Belcher's presence doesn't usually portend good things (though I did enjoy passages of The Grey Man, so maybe that could change), but your description intrigues me.

I haven't seen the film, so to find out the score sounded like this was a HUGE surprise.

It's tricky to say 'Belcher helped, so that means he wrote everything that sounds like X' given that he also worked on the Kingsman movies, Kong, and The Predator. People said similar things about the current generation of helpers for Hans (Steve Mazzaro, David Fleming, Andrew Kawczynski) because they were contributing to BvS, Inferno, and other stuff this community generally didn't like - but then some of them helped on WW84 and nobody said squat about their role in that score.

> Debates abound on whether music streaming is a net good for society, but we've yet to settle on a good model for artist compensation (and a good chunk of that is rightfully blamed on Spotify's notoriously stingy payout structure). Looking forward to seeing what context this comes from!

The comment was not made in the context of streaming specifically. But at the end of another interview Steve Mazzaro straight up said it was ruining the music industry.