> I think King Arthur is the only one that prominently features its score and that seveal Scoreboarders (myself included) really like. Everything else seems to have very understated works or heavily contemporary/sound design leaning scores.

Probably Jerry's doing.

Fuqua's more of a one-off, but it is fun to trace what happens when Jerry's regular director collaborators start developing their own musical style independent of him. Think Crimson Tide vs. Spy Game (and every Tony Scott score after) or The Rock vs. Bad Boys II (and everything non-Autobot after).