I think I would give this score four stars as well, though I do have my issues with it. It's one of the most pleasant listening experiences I've had; what dissonance there is doesn't last long, even the villain's theme is quite tonal, and the mixture of choir, piano, and cellos goes down easy. I think that's my issue with it, though - it feels like O'Donnell and Salvatori's sound but with the edges mostly sanded off. It has fewer of the weird cues that that duo would throw in that disrupt the listening experience, but it feels like it lacks some of that personality as a result.

That being said, it's still a very enjoyable listening experience! I can't deny how much I enjoy action tracks like 'Gbraakon Escape' and 'Tower'. I put together an 80-minute playlist of highlights if anyone is interested: https://open.spotify.com/playlist/4DNsoz87zlGHQL30HlWU7y?si=3aa2307c007b4091

This series has been fantastic to read; great job on it! I'm bummed it'll be ending soon, but at least it's going out with a... banger? Maybe? Probably not, but still excited to read your write-up on it.