> That's actually part
> of what makes it feel so awkward for me. The arrangement is worthy of a
> much more melodically sound theme than what it gets. There's a massive
> disconnect there. It's the uncanny valley of film scores!

Story of his career, in my opinion. Beautifully arranged scores that evoke classics, without the thematic and melodic strength to back it up. And yes, I agree that Tomorrowland is one of the most blatant examples of this.

That being said, I found several moments to enjoy in Jurassic World and Jupiter Ascending. He's very often in the #15-30 range on the year for me, and will be again this year.