> Well….shit, I like this score a lot. I’ve listened to it probably 20 times since getting it in high school - while you’re correct in that it can sometimes get pretty abrasive and it’s overall too moody, I still find it an excellent atmospheric piece to have on while working or writing (plus the main piano theme is excellent). Not up to his others of the era but a million times better than so many modern day dramatic thriller underscores.

This score was probably harmed by me hearing it in proximity to my rundown of Craig Armstrong scores. If I did this project a year ago (which, since I was on a much easier project then, may have been a better idea), it might've rated better since I wouldn't have noticed how derivative it was.