The most interesting aspect of
Domestic
Disturbance is easily the irony that Mancina wrote a better
Goldsmith-like score for the film than Goldsmith himself may have been
able to provide. So thorough are the Goldsmith influences in Mancina's
finished score that there has been speculation about the possibility
that the younger composer adapted material written by the veteran one
for the film. That rumor, however, has never been confirmed. What is
easy to confirm, however, is that the score for
Domestic
Disturbance is highly influenced by Goldsmith's
Basic
Instinct. Even the label for its album release, Varèse
Sarabande, went so far as to mention the similarity on its press kit for
the product. Another certainty is that Mancina has clearly claimed that
there was no temp-track imitation at work here; he has maintained that
the director did not thrust
Basic Instinct (or any score, for
that matter) upon him. So that means that either Goldsmith resurrected
the Oscar-nominated score himself and Mancina adapted it into his own
replacement material, or Mancina alone decided to pay tribute to
Goldsmith by conjuring that resurrection himself. In any case, Mancina
produced both a title theme and a smooth rendering of the idea that
mirror much of the suspense of the motifs and instrumentation in
Goldsmith's
Basic Instinct title tracks without laying on the
heavy sexual undertones and synthetic effects. It is, strangely enough,
a low-key organic variation on the prior score. To this end, Mancina
added a few more contemporary touches to the
Basic Instinct
equation, incorporating an acoustic guitar and bass to accompany the
woodwinds and strings that do much of the comparatively straight
imitation. The performance is equal to Goldsmith's to such an extent
that Mancina even employs the percussion to produce echoing waves that
follow each phrase of the theme. Mancina arranged this material into
roughly nine minutes near the start of the album and this music,
combined with the upbeat "Guys Sailing" in between, will alone be enough
to warrant some appreciation from Goldsmith collectors.
Unfortunately, aside from these sequences, the rest of
the score contains only run of the mill suspense music. With the normal
techniques of various brass blasts, quivering strings, and drum pounding
filling most of the time in the score, there isn't much to write home
about when it comes to the handling of suspense. The "Fight/Aftermath"
cue is devoid of much climactic development, and the two "Fire" cues
prior are anonymous in personality. Mancina does pepper these cues with
references to the title theme, but that's not enough to save them.
Cynics could extend the comparisons to Goldsmith here as well, given
that his thriller music of this era (including
Along Came a
Spider), tended to be disappointingly dull. It does its job, but the
film definitely could have used a fresher angle. The album from
Varèse is a well organized presentation of Mancina's
contributions. At 29 minutes in length, it fails to generate much of a
consistent mood, though the ten minutes of thematic representations of
Basic Instinct are grouped for convenience at the start of the
product so that you can easily dismiss the rest. For veteran film score
collectors, the cross between the theme of
Basic Instinct and the
piano work of Randy Edelman's
The Skulls in these tracks will be
unmistakable, and if such blatant imitation bothers you as a listener,
then the
Domestic Disturbance album will likely drive you up a
wall. Still, what Mancina has done with Goldsmith's style is quite
commendable; the orchestration and fine recording quality (especially
emphasizing the tingling percussive effects) will impress. The bland 19
minutes of suspense material that follows won't be of any interest by
comparison, even for those who appreciate material that does its best to
reach the same ambient success that Christopher Young has established
for similarly poor films. Unless the ten minutes of Goldsmith tribute
music is enough of a reward to tolerate the remainder of this product,
then
Domestic Disturbance is the kind of asterisk or footnote
that is best left on a dusty shelf.
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