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Godzilla
(1954)
Album Cover Art
1993 Futureland
2004 La-La Land
Album 2 Cover Art
2004 Toho
Album 3 Cover Art
2014 Harkit
Album 4 Cover Art
2024 Universal Japan
Album 5 Cover Art
Composed, Conducted and Produced by:
Akira Ifukube
Labels Icon
LABELS & RELEASE DATES
Futureland/Toshiba EMI (Japan)
(December 22nd, 1993)

La-La Land Records (America)
(August 17th, 2004)

Toho Music (Japan)
(September 2nd, 2004)

Harkit Records (Europe)
(May 12th, 2014)

2024 Universal Music (Japan)
(May 29th, 2024)
Availability Icon
ALBUM AVAILABILITY
The Japanese albums, including the standard 1993 Futureland one, are scarce internationally since most Godzilla products are imported from Japan. The 2004 expanded re-issue from La-La Land Records is a regular U.S. release. Toho Music's alternative the same year was limited to 1,954 copies and retailed for $120. The 2014 Harkit Records re-issue of the 2004 La-La Land product is a commercial European release. The 2024 Universal Music Japan re-issue of the 1993 Futureland album is part of a 22-CD set that retailed for $340.
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AWARDS
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   Availability | Viewer Ratings | Comments | Audio & Track Listings | Notes
Buy it... if you have any interest in Akira Ifukube's music or the concept of Godzilla in general, for the two 2004 album variants are the definitive releases of the original film's score.

Avoid it... if you do not value the history of Godzilla more than the need for decent sound quality, because the score's incredibly muffled sound is a considerable deterrent for those not prepared for such a degree of muted ambience.
Review Icon
EDITORIAL REVIEW
FILMTRACKS TRAFFIC RANK: #533
WRITTEN 6/23/99, REVISED 6/22/25
Godzilla (1954): (Akira Ifukube) Surviving the legacy of dozens of progressively sillier sequels and remakes as well as several notable American adaptations from 1956 to 2014 and beyond, the original Godzilla (Gojira), directed by Ishiro Honda, remains a cult classic around the world but especially in Japan, where the creature to this day stands as a historical relic of an age during which post-war nuclear fears were at their greatest. The monster, though imitated and even mocked in subsequent decades, was originally a completely serious embodiment of the fear of radiation that was all too familiar in Japan at the time. While making a political statement, the prehistoric beast also opened the doors to an all-new genre of massive science fiction destruction films involving massive creatures and cityscape annihilation that was eventually exploited by of Hollywood. Depending on your viewpoint of humanity, you could find yourself rooting for the monster, if only to put some property insurance companies out of business. Japanese composer Akira Ifukube's career will forever be remembered as one of giant creature battles and other fantasy adventure, and, remarkably, Ifukube was publicly honored on the 50th anniversary of the original Godzilla in 2004, just as the retired composer turned 90 years old. Ifukube was once again involved with the modern series of Gojira films in the 1990's, finishing with the death of the original monster in 1995's Gojira vs. Desutoroia, a movie which Ifukube scored with enthusiasm while in his 80's. Like the films, the music for the Godzilla concept is a source of pride for the Japanese, and it has stood for many decades as a testament to their cultural ingenuity as well as Ifukube's enduring individual talent. His scores for the concept are both tragic and heroic, sometimes massively orchestral with choral interludes, and creative in the use of the ensemble to produce the majority of sound effects heard in context for the first films in the franchise. The brutality of the strings and brass in his ensemble are particularly notable, as is the lower register gravity that comes with them.


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VIEWER RATINGS
1,083 TOTAL VOTES
Average: 3.54 Stars
***** 395 5 Stars
**** 220 4 Stars
*** 192 3 Stars
** 131 2 Stars
* 145 1 Stars
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COMMENTS
3 TOTAL COMMENTS
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Filmtracks Sponsored Donated Review
Mike Karis - May 3, 2009, at 7:17 a.m.
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thw - August 31, 2004, at 5:57 p.m.
2 comments  (4950 views)
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Track Listings Icon
TRACK LISTINGS AND AUDIO
Audio Samples   ▼
1993 Futureland/2024 Universal Albums Tracks   ▼Total Time: 36:50
• 1. Main Title (1:32)
• 2. Footsteps (2:10)
• 3. Eiko-maru Sinking (1:08)
• 4. Bingo-maru Sinking (0:22)
• 5. Uneasiness on Odo Island (0:49)
• 6. Ritual Music of Odo Island (1:21)
• 7. Storm on Odo Island (1:57)
• 8. Odo Island Theme (0:34)
• 9. Frigate March I (0:41)
• 10. Horror in the Water Tank (0:42)
• 11. Godzilla Comes Ashore (1:54)
• 12. Fury of Godzilla (2:26)
• 13. Deadly Broadcast (1:16)
• 14. Godzilla to Tokyo Bay (1:28)
• 15. Attack Godzilla! (1:27)
• 16. Devastated Tokyo (2:16)
• 17. Oxygen Destroyer (3:13)
• 18. Prayer for Peace (3:03)
• 19. Frigate March II (0:20)
• 20. Godzilla Under the Sea (6:20)
• 21. Ending (1:41)
2004 La-La Land/2014 Harkit Albums Tracks   ▼Total Time: 46:28
2004 Toho Album Tracks   ▼Total Time: 52:52

Notes Icon
NOTES AND QUOTES
The inserts of all albums since 2004 have included detailed notes about the film, composer, and the history of the Godzilla franchise on the big screen. Packaging of the products from Japan are primarily in Japanese.
Copyright © 1999-2025, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast, rewritten
or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. All artwork and sound clips from Godzilla are Copyright © 1993, 2004, 2014, 2024, Futureland/Toshiba EMI (Japan), La-La Land Records (America), Toho Music (Japan), Harkit Records (Europe), 2024 Universal Music (Japan) and cannot be redistributed without the label's expressed written consent. Page created 6/23/99 and last updated 6/22/25.
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