> I agree. Still quite a few promising scores left this year, but one of my
> first thoughts when I heard 160 BPM was how damn good it was. Very intense
> and powerful, and one of the best action cues I've heard from Zimmer. I
> love most of his works, and I've long waited for a return to his older
> sounds. 160 BPM is one of those, it got the vitality, speed and energy of
> a young composer pouring all his energy into it, and the experience of a
> veteran in the business of movie scores.

> It's just wicked brilliant the way he handles the score and how the male
> and female choirs almost compete in rapid progression.

Yeah, this cue is just awesome. I can't wait to see how this whole score works in the movie!