> There is probably no score that has come out in the past five that my opinion on has changed as much as this one, I hated it when it first came out and made the first viewing of the film miserable for my family by pointing out how inappropriate Lorne's score was compared to Kraemer's

I didn't put anyone else through that, but I think I was of similar mind in 2018. If I hadn't already done a retrospective re-evaluation post about Inception as part of this rundown, I might've done it for this score.

> but with time, like Marvin Hamlisch's score for The Spy Who Loved Me

Funny enough, for a score I have mocked for years for its disco affectations, I have never bothered to listen to it standalone. So much for walking the walk...