> Dont tell me. What´s the point of critic then?

Okay, poorly worded on my part. Your accusations of simplicity are correct in that zimmer does tend to follow the same chord path quite often, but so what? i still like the music. Even though I do lower how I feel about the score because of some very striking similarities, it doesn't take away from me feeling that At World's End is a very strong score.

I'm not throwing out critiques entirely, but simply because zimmer cannot write as complex a work as, for example, David Arnold paired with Nicholas Dodd does not mean his score is a waste.

> Why exactly do you think those tracks contain a complex musical writing?
> I´m curious now.

Starting around the six minute mark of I don't think now is the best time, you actually get multiple parts in the orchestra that work effectively. Didn't you notice the Goldenthalian horn trills?

And I think you're completely missing the point of music. Not all of it has to be maddeningly complex. hey, I love a good complex score, take cutthroat island, ID4, LOTF for example, but that doesn't mean I can't appreciate the simpler side of life. Schindler's list is "simple" in that there aren't multiple parts bouncing ar

> I was obviously exagerating. I´m not a film music connoisseur. I´m sure
> there are even more simplistic scores out there.

Then don't make sweeping statements like "most simplistic score ever". did you really think you were going to get applause?