> How much does modern music production technology end up competing with
> historical accuracy when you approach a project like this in 2025?
> Meaning, to what degree do you try to acknowledge the music of that time
> period vs. have to give a modern audience the kind of music they expect
> from television?

Probably both given consideration. The latter for sure. Honestly, the former, I personally think it shouldn't matter. The criticism never works the other way around. I like Ready Player One for example, but it bothers me to no end that Silvestri didn't even attempt to make the music sound futuristic, or video game like.